To Top ↑

Johan




sublimespy:

Ellswoth Kelly

sublimespy:

Ellswoth Kelly

(Source: now-anywhere, via onsomething)

“I really like you, Midori. A lot.”

“How much is a lot?”

“Like a spring bear,” I said.

“A spring bear?” Midori looked up again. “What’s that all about? A spring bear.”

“You’re walking through a field all by yourself one day in spring, and this sweet little bear cub with velvet fur and shiny little eyes comes walking along. And he says to you, ‘Hi, there, little lady. Want to tumble with me?’ So you and the bear cub spend the whole day in each other’s arms, tumbling down this clover-covered hill. Nice, huh?”

“Yeah. Really nice.”

“That’s how much I like you.”

— Haruki Murakami, Norwegian Wood

onsomething:

onsomething

Adalberto Libera | Palazzo dei Congressi 1939-54 Roma

onsomething:

onsomething

Adalberto Libera | Palazzo dei Congressi 1939-54 Roma

nevver:

If by Yes
ktjanewood:

Afternoon Shadows I, Self-Portrait

ktjanewood:

Afternoon Shadows I, Self-Portrait

I ought to be all alone in the world,
just me, Steiner,
and no other living thing.
No sun, no culture,
myself, naked on a high rock,
no storm, no snow, no banks,
no money, no time, no breath.
Then, at least, I wouldn’t be afraid.

— The Great Ecstasy of Woodcarver Steiner

(Source: onbluepoolroad.com, via 1016)

the-lovecats:

http://the-lovecats.com

Refined VS Relaxed Amanda Nørgaard & Magdalena Langrova by Victor Demarchelier for UK Harper’s Bazaar June 2013

the-lovecats:

http://the-lovecats.com

Refined VS Relaxed

Amanda Nørgaard & Magdalena Langrova by Victor Demarchelier for UK Harper’s Bazaar June 2013

nevver:

Couple embracing, Egon Schiele

nevver:

Couple embracing, Egon Schiele

betonbabe:

JUNYA ISHIGAMI
ROW HOUSE IN TOKYO, 2005

betonbabe:

JUNYA ISHIGAMI

ROW HOUSE IN TOKYO, 2005

(via drawingarchitecture)

shihlun:

Laure Albin GuillotJean Cocteau 1939

shihlun:

Laure Albin Guillot
Jean Cocteau
1939

(via dig-image)

missingozu:

How to get to Ozu’s gravesite.

missingozu:

How to get to Ozu’s gravesite.

(via artjargon)

I want in fact more of you. In my mind I am dressing you with light; I am wrapping you up in blankets of complete acceptance and then I give myself to you. I long for you; I who usually long without longing, as though I am unconscious and absorbed in neutrality and apathy, really, utterly long for every bit of you.

—  Franz Kafka, Letters to Milena

(Source: arikaftermath, via kafkaesque-world)

(Source: inspirimgrafik, via andren)

(Source: airows, via merde-petit-maitre)